![]() It doesn't work always though since each separate instrument can't coordinate with the others (reverb/mixing/note cut offs/etc) but it can solve some problems. When loading the same exact instrument into Kontakt multiple times, they share the sample memory pool so it doesn't eat more ram (which it would if you had separate instances of Kontakt). It is not as nice as say Cubase's expression map stuff but it does work. ![]() I have a CAL script that lets me assign the MIDI channel to selected notes that I use. Usually that means separate MIDI tracks in SONAR (one for each MIDI channel/articulation) but you can change the MIDI channel on a note basis in a single track. Then set each one up to a single articulation and use MIDI channels to switch articulations rather than keyswitches. ![]() One thing you can do (though it isn't always the best solution) is to load multiple copies of the same instrument into Kontakt and assign them to different MIDI channels. Though some combinations seem worse than others. These kinds of problems happen with all key switched instruments, not just Kontakt and not just SONAR. Is this likely to be a problem with Sonar just not sending MIDI information accurately, or could it be a problem in Kontakt? The exact same thing happens with Session Strings - Sonar does not seem to get the keyswitches to Kontakt bang on the beat, and if they're not bang on the beat then the articulation doesn't change correctly. The notes are fully quantized, but unfortunately it's as if Sonar's MIDI is being sent to Kontakt a little out of time because the palm muted note doesn't register in time for the start of the measure - it plays another full strum. Die vier Ensembles wurden so konzipiert, dass sie im Mix perfekt funktionieren. So I change the keyswitch note for these occasions, and enter the original MIDI note at the start of the next bar to change back to the palm muted pattern. SESSION STRINGS PRO liefert einen kompakten, detailreichen und intimen Ensemble-Sound eine hervorragende Alternative zum opulenten Klang großer Orchester. I have a palm muted strumming pattern that needs to change to a full strum at the end of every few measures. I remember having an awful time trying to use keyswitches in NI's Session Strings, and now I'm having the same problem with Strummed Acoustic. Sometimes when I'm programming a Kontakt part that uses keyswitches, I find that the MIDI does not trigger the keys accurately.
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